Quilter's Tips and Techniques
Schoolhouse Index Fast Flying Geese Standard Mattress Measurements & Quilt Sizes Quilt Size Guidelines Mitered Borders Sizes for Corner and Side Triangles Stains and Quilt Care Fabric Calculator Yardage - for cutting squares Yardage - for cutting squares from fat quarter Paper Piecing Patterns - Links Enlarging/Reducing Scale for Patterns Hanging Up Wall Hangings with Round Tops (or unusual shape tops) Coping Strips for adding perfect pieced borders Setting Blocks on Point Batting Printing on Fabric with your printer Enlarging/Reducing Scale for Patterns GOT IT COVERED?
Don't know how big to make your quilt?
Remember to add 12-14" on each side (and the foot) for the drop and 14" at
the head if you want it to tuck under a pillow.
Mattress Size Quilt Size (These are all measurements for a 16" drop) Receiving N/A 36" X 45" or 45" X 45"Crib 23" X 46"Lap Quilt N/A Between 52" and 68" wide. 52" to 78" in length.Twin 39" X 75" Between 64" and 72" wide. 86" to 96" in length.Full 54" X 75" Between 70" and 88 wide. 86" to 100" in length.Queen 60" X 80" Between 88" and 99" wide. 94" to 108" in length.King 76" X 80" Between 94" and 108" wide. 94" to 108" in length.Measurements are approximate.
Quilt Size Amount of Backing Needed Twin 71" x 101" 6 yards Full 86" x 101" 7.5 yards Queen 92" x 106" 8.25 yards King 108" x 106" 9.25 yards
Several factors are to be considered when deciding what size to make a quilt such as your block size, borders and sashings. Also, the purpose you would like your quilt to serve needs to be determined when beginning your project. If you quilt is to be a coverlet or comforter, it will rest on the top of your bed with out any hanging over the edge. If you are making your quilt a bedspread, you must add to your measurements to allow for hanging on each side and at the bottom, as well as a pillow tuck a the top.
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Sliding Templates?
Try putting Steam-A-Seam 2 on the wrong side of a template. Steam-A-Seam 2 is sticky on both sides, so it will adhere to the template easily. Just remove the paper from one side, stick it onto your template, and trim the excess. Then removed the paper from the other side of the Steam-A-Seam 2. Now the template grabs the fabric just enough to keep the template from sliding while rotary cutting.
Steam-A-Seam 2 sticks well to a template. But it doesn't stick to other surfaces in the same way. It adds a non-skid surface to the back side of the template. And it's relatively transparent, so you can use it on the back of acrylic templates and still see your fabric for fussy cutting.
Want to save all the work of hand tracing master templates, cutting out vinyl or cardboard, and then tracing around on the fabric. And be more accurate, too. Well, here's a template cutting tip...
Make accurate photocopied sets of your master templates from magazines, books, etc. Always use the same photocopier to make sure the copies are all the same size. Keep your master templates in a file folder for future use. Use a yellow highlighter to mark your masters with a "m" (it won't show when you make a copy). Always copy from your original masters, don't make copies from copies. Cut apart the paper templates from one photocopied set. Cut approximately 1/8-inch away from the outside lines.
Four layers of fabric can be "stuck" together using spray sizing. Don't use spray starch. Cut four pieces of fabric large enough to lay out several paper templates. Make sure the fabric grainlines run parallel. Spray the first piece, cover with the second piece, iron firmly, spray, cover with the third piece, iron firmly, spray and place the fourth piece on top, iron firmly. Let the stacks dry thoroughly.
If you need to make reverse patches, place two of the fabric layers in the stack with the wrong sides up. When you cut the patches you will have two reversed patches.
Place small pieces of two-sided sticky transparent tape on the back of the paper templates in each corner. You can use rolled pieces (sticky side out) of one-sided transparent tape instead. Stick them on the fabric stack. Watch for correct grainline placement. You can put the templates quite close together on the fabric. The paper templates can be lifted and repositioned until they are just right. Smooth the paper so it sticks firmly on the fabric.
Use a see-through plastic ruler and rotary cut along the template line, going through the four layers of fabric and the paper. Continue cutting and moving the ruler to line it up with new edges.
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If your freezer paper template won't separate cleanly from the fabric, start with a dry iron on a medium setting. Press for a second or two then peel off!
For hand appliqué, when using freezer paper as a template, iron three layers of freezer paper together to make a sturdier template. Use starch to press the edges of the fabric over the freezer paper. If your iron isn't too hot, you can reuse your templates many times.
Use freezer paper to *mark* your quilt top. Trace and cut out your design, and carefully press it with an iron to the quilt. Each freezer-paper *template* can be used several times before it stops sticking.
For an instant and portable design wall, purchase a flannel-backed vinyl tablecloth at a discount store. Pay attention to the backside, look for one with a nice fuzzy flannel back side. Place the vinyl side against the wall with the flannel side facing you. Use generous amounts of masking tape as it will get heavier when you add your fabric pieces. To help position your squares and pieces, mark a grid on the flannel with a permanent marker (Sharpie). A design wall is a wonderful addition to any sewing room.
Audition individual fabrics side by side on your design wall to help determine how they will look in the finished quilt. Move them around, add and subtract fabrics until they are pleasing to you. Cut out one block and arrange it on the design wall to see if it is what you envisioned.
A design wall in valuable for assembling scrappy quilts. The wall gives you an overall view of the quilt as you shuffle the shapes around to create that perfect layout. It is also handy to sort fabrics into color values for watercolor quilts. Place your fabrics side by side to see if they blend together, removing those that don't.
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Many new mattresses are thicker than their predecessors, which makes the top of the mattress further from the floor. So we have increased the measurements of the twin, double, queen and king to include a longer drop. Use the New Quilt Guidelines Chart for full coverage. Coverage will be comfortably generous with a thinner mattress.
Quilt Size GuidelinesBed Size (mattress) Comforter Coverlet/Bedspread Twin (38x75) 66" x 89" 80" x 108" Long Twin (38x80) 66" x 94" 80" x 113"
Double (54x75) 82" x 89" 96" x 108"
Long Double (54x80) 82" x 94" 96" x 113"
Queen (60x80) 88" x 94" 102" x 113" King (76x80) 104" x 94" 118" x 113" California King (74x84) 100" x 98" 114" x 117"
Old Quilt Size Guidelines |
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| Width | Length | |
| Baby | 36"-45" | 45"-54" |
| Crib | 42"-48" | 54"-60" |
| Nap | 54"-60" | 68"-76" |
| Twin | 56"-64" | 84"-100" |
| Double | 70"-80" | 84"-100" |
| Queen | 76"-84 | 90"-104" |
| King | 92"-100" | 90"-104" |
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Yardage - Fabric Cutting Chart
(Based on washed, 44 inch wide fabric)
| Square | 1/8 | 1/4 | 1/3 | 3/8 | 1/2 | 5/8 | 2/3 | 3/4 | 7/8 | 1 yard |
| 1" | 172 | 344 | 473 | 559 | 731 | 946 | 989 | 1118 | 1333 | 1505 |
| 1.5" | 58 | 145 | 203 | 232 | 219 | 406 | 435 | 493 | 580 | 667 |
| 2" | 42 | 84 | 105 | 126 | 168 | 231 | 231 | 273 | 315 | 351 |
| 2.5" | 17 | 51 | 68 | 85 | 119 | 136 | 153 | 170 | 204 | 238 |
| 3" | 14 | 28 | 42 | 56 | 70 | 98 | 98 | 112 | 140 | 154 |
| 3.5" | 12 | 24 | 36 | 36 | 60 | 72 | 72 | 84 | 96 | 120 |
| 4" | 10 | 20 | 20 | 30 | 40 | 50 | 50 | 60 | 70 | 80 |
| 4.5" | 0 | 9 | 18 | 18 | 27 | 36 | 45 | 45 | 54 | 63 |
| 5" | 0 | 8 | 16 | 16 | 24 | 32 | 32 | 40 | 48 | 56 |
| 5.5" | 0 | 7 | 14 | 14 | 21 | 28 | 28 | 28 | 35 | 42 |
| 6" | 0 | 7 | 7 | 14 | 14 | 21 | 21 | 28 | 35 | 35 |
| 6.5" | 0 | 6 | 6 | 12 | 12 | 18 | 18 | 24 | 24 | 30 |
| 8" | - | 5 | - | - | 10 | - | - | 15 | - | 20 |
| 9" | - | 4 | - | - | 8 | - | - | 12 | - | 16 |
| 10" | - | 0 | - | - | 4 | - | - | 8 | - | 12 |
| 12" | - | - | - | - | 6 | - | - | 6 | - | 9 |
99 |
2" squares or |
50 |
2 1/2" squares or |
42 |
3" squares or |
30 |
3 1/2" squares or |
20 |
4" squares or |
16 |
4 1/2" squares or |
12 |
5" squares or |
12 |
5 1/2" squares |
9 |
6" squares or |
6 |
6 1/2" squares |
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This chart gives you the measurements for corner and side triangles for the most commonly used quilt-block sizes. |
||
Finished Block Size |
Cut Size of Square for Corner Triangles |
Cut Size of Square for Side Triangles |
2" |
2 |
4 |
3" |
3" |
5 |
4" |
3 |
7" |
5" |
4 |
8 |
6" |
5 |
9 |
7" |
5 |
11 |
8" |
6 |
12 |
9" |
7 |
14" |
10" |
8" |
15 |
12" |
9 |
18 |
14" |
10 |
21 |
16" |
12 |
23 |
18" |
13 |
26 |
20" |
15 |
29 |
24" |
17 |
35 |
| Cutting
tip: It is easier to cut fabric smaller than make it bigger, so cut squares
for corner and side triangles |
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Batts can also come with a scrim or be needle punched. The scrip makes the batting more stable, but it is harder for hand sewing. Needle punching makes it easier to hand quilt. For hand quilters, ease of needling is an important consideration and hand quilters prefer polyester as it is easier to work with. Cotton or cotton/polyester blends are preferred for machine quilting as they cling to the fabric and there is less shifting, thus alleviating puckers on the bottom lining. Batting is the part of the quilt that does not show, but it determines the look of your finished quilt. If it is a bed, it should provide warmth. If it is for a wall hanging, it should be low loft and hang fairly flat. Also note that cotton batts take longer to dry while polyester ones dry fairly quickly. Polyester batts can lose their loft, whereas cotton ones become softer and more supple with use and repeated washing. Cotton batts and wool batts, being of natural fiber, tend to "breathe". Polyester batts can trap in air and do not 'breathe', thus making you 'sweat'. Cotton batts are heavier than polyester. Children's quilts tend to lean toward polyester because they are lighter and they are easier to wash and maintain. Keep in mind that polyester batting will cause a quilt to melt when exposed to fire. Polyester batts can beard, i.e. the batting may creep to the top of the quilt. Some batting manufacturers are Mountain Mist; Fairfield Processing; Warm Company (Warm & Natural); Hobb's. For tied quilts, try Fairfield Extra Loft and Ultra Loft or Hobbs Cloud. Cotton batts may or may not be bleached. If a quilt top is predominantly white, bleached cotton should be used or your batting color color may show on the top. Hobbs' Bleached Organic Heirloom Cotton and Fairfield Bleached Cotton are some examples. Most 100% cotton batts need to be quilted 2" apart between quilting lines. Read the instructions on your batting package as some cotton batts can now be quilted farther apart. The scrim found in cotton batts adds stability to the batting. The scrim is synthetic. Some batts are needle punched, meaning puncture marks are added to the batting for ease of hand quilting. Cotton has a tendency to shrink an average of about 5%. You can purchase black batts for dark pieced tops. Cotton or cotton/polyester blends are preferred for machine quilting as it clings to the fabric and helps prevent shifting, thus alleviating puckers on the bottom lining. Fairfield's Cotton Classic is 80% cotton and 20% polyester. The polyester content means that you can quilt farther apart than if it was all cotton. Hobb's also carry a polyester/cotton blend - 80% cotton and 20% polyester. It does not have to be pre-washed but the instructions say that you have to quilt 3 1/2" apart. For use with either hand or machine quilting. Warm & Natural is predominantly polyester with 20% cotton. It looks and feels like cotton and is readily available. It should be prewashed as it contains plant seeds. Quilters Dream Cotton can give your washed quilt an antique look. Wool Batting may be treated with lanolin or other resins. It can be machine-washed. The cost is slightly higher than cotton but it hand quilts as easily as polyester. There is no pull on the needle and it is easier to hand-quilt than cotton. Wool tends to beard. Pellon Fleece is used for place mats and table runners as it is heat resistant. Hobbs Thermore is used for clothing but can also be used for placemats. Polyester
batting allows for quilting to be farther apart. Quilting lines for cotton batts
are as follows: At all times follow the instructions provided on the bags regarding how closely you can quilt, whether to pre-wash or not and if it is for hand or machine quilting. Back to Schoolhouse Index |
To set a block on point, you need to first calculate what size square you'll need to cut to make the setting triangles. To accomplish this step, follow this calculation: Take whatever your block size (for example, 15"), and divide that number by 1.414. Then ADD .875, which will then equal the size of square you'll need to cut. You may need to round up or down a little bit, but I say it's safer to have it a little bit larger and then cut it down, rather than have it too short, thereby not leaving a good 1/4 inch to add your next portion to! Then you will cut that in half, diagonally. Obviously, you'll need to make two of these squares, if setting on point. So again, to recap: Block size DIVIDED by 1.414, then ADD .875, equals size of square. Then cut square diagonally. |
If your blue marking lines have turned brown, to remove use a gallon of plain white vinegar in the machine with the wet quilt. (If the laundry detergent has sodium carbonate in it, that is the 'fixer' for the color in the dye. This sodium carbonate, otherwise known as soda ash, can be found in its purest form in Arm & Hammer or any other detergent with 'whiteners and brighteners.' The reason that vinegar helps remove the stain is because it pushes the pH of the water to an acidic point, thus allowing the fabric to release the dye. (Sodium carbonate is a strong base.) Remember to soak/rinse your quilt in plain cold water before you wash it! That way, the pen marks will come out. After the quilt is thoroughly rinsed and then washed, the pen marks will never come back at a later date, or after drying. Some quilters keep a spray bottle of plain water beside them and as they finish a block, spritz it right away. That way they won't forget and it is ready to launder. Some keep a damp paper towel nearby and as soon as they finish a section, dab at the blue marks until they disappear. Back to Schoolhouse Index
When washing old quilts, minimize handling them when wet.
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Pre-wash your fabric to make sure that the chemicals and sizing are removed as these may prevent the fabric from sticking to the steam a seam. Take your piece of Steam a Seam 2 and cut it to the required size for your appliqué design. Trace your appliqué design (IN REVERSE) onto one of the Steam a Seam 2 liner. Peel off the liner you DID NOT draw your appliqué design on. Stick your Steam a Seam 2 to your appliqué fabric.Cut out the appliqué design from the Steam a Seam and the Fabric. Peel off the remaining liner. Stick your cut out Steam a Seam 2 and Fabric appliqué design onto the Background Block Fabric. Press with a
hot iron for 10-15 seconds (time may vary depending on fabric usedthis timing
is for cotton). Repeat this until the appliqué design is stuck to the Background
Fabric securely.
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2. Ever wonder why your quilting thread will tangle and knot up sometimes, but cooperates beautifully other times? It matters which end of the thread you put your knot in. For North American-made thread (i.e.. Coats) put your knot in the end that you cut from the spool. For silk thread or European-made thread (i.e.. Mettler) put your knot in the end that you pulled from the spool. This way, you work with the way the thread was twisted when it was manufactured. Back to Schoolhouse Index
Try this... Don't lick the thread, instead lick the eye of the needle! Back to Schoolhouse Index If you cut the fusible just
a hair, like 1/16", smaller than the applique fabric piece, and match the
edges when sewing, then the fusible will automatically be pulled to the wrong
side when turned so no peeking!
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Add up the total inches around the quilt, divide that by 40 (the standard width of the fabric), round that number up to a whole number and multiply that by the width you cut your bindings. EXAMPLE:
2. Sew your binding on before you trim your edges. Then trim your edges with the binding attached. I have trimmed, then sewn and missed the backing sometimes. This assures you will not miss the backing since it is larger than the quilt top. Back to Schoolhouse Index
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First determine the size of the pieced border you want to add. Then add a coping strip to bring the quilt up to size. For
instance: If the quilt measures 25 inches, and you want to add a border of 6 inch
blocks, you need to add coping strips to bring your quilt up to 30.5", 30
being the next number that is evenly divisible by 6. 3"
coping strip The
quilt already has its 1/2" seam allowance. To cut the coping strips add 1/2
seam allowance, cutting two strips 3.5" wide by 25" long. Add those
to opposite sides of the quilt. Cut two strips 3.5" wide by 30.5" and
sew these to the two remaining sides. Back to Schoolhouse Index |
